Review: “Skyfall” starring Daniel Craig and Javier Bardem
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I thought that James Bond had turned a page. Both of Daniel Craig’s initial outings in the role were markedly different from the blend of high-tech silliness and misogyny which characterised the previous episodes: his was a James Bond that could genuinely fall in love, get hurt (indeed nearly die), and was kept in check by a formidable matriarch (Judi Dench). I hoped that “Skyfall” would continue this progress; I looked forward to James Bond becoming a more three dimensional character. I relished the prospect of something which had hitherto been ridiculous becoming something interesting, as occurred when “Batman” was revamped. When a “Skyfall” DVD landed on my doorstep, I hastened to watch it.
My first impressions were positive: we see Craig arriving too late to prevent a fellow agent being fatally wounded. A touch of humanity is applied when Bond ignores his superior’s urging to chase after the perpetrator in order to administer some rudimentary first aid. After finding that his efforts are in vain, he’s off again in hot pursuit and is shot during the chase. Following this, Bond disappears.
After this, we are provided with another interesting plot element: we are shown Bond’s retirement plan, namely to feign death and retreat to an anonymous island in the tropics. This is not some winsome paradise, however: he appears bored and listless, and he spends his evenings playing drinking games with a scorpion on his wrist poised to sting him.
Yet another positive becomes apparent after his return to duty: entropy is a major theme. Bond is no longer as physically fit, nor as good a marksman, nor as psychologically prepared for duty as he once was. We see him undergo a series of tests, after which he collapses, exhausted. He stands before a mirror and picks out bits of shrapnel from an old wound. The unflappable, almost superhuman agent is shown to be frail and possessing altogether human weaknesses which are accumulating over time. I wondered if this plot point was directly inspired by the last Batman film, in which the hero was simply too old and broken in body and spirit to carry on as he had previously. MI6′s mission is called into question as well: politicians ask if it’s an anachronism, particularly since a ghastly security breach has led to several prominent agents being killed.
Late in the narrative, we learn more about Bond’s past: it’s revealed he was an orphan, which may explain the contradiction between his general emotional detachment and his unusual devotion to Judi Dench’s M. She perhaps represents the parental influence that Bond lacked; otherwise, humanity offers limited opportunity for him to feel sentiment. We also discover that M prefers to select orphans as agents; this hints at pathological characteristics of her own. Allusions are made to agents operating in the shadows: this suggests that such operatives are shadow people, cut off from having much in the way of roots. I am not well versed in the world of espionage, nevertheless, this idea has resonance.
The film is short on wacky devices. Ben Whishaw has expertly taken up the mantle as Q; he quietly but cleverly derides the idea of exploding pens and other such bric-a-brac. He supplies Bond with nothing more outrageous than a gun that is coded to his hand print and an emergency radio. Q also suggests to Bond that he could do more damage with his laptop, wearing his pyjamas and with a cup of Earl Grey tea in hand than Bond could ever do out in the field with his gun; anyone involved with technology will probably be unable to suppress a smile at that remark.
Finally, it was good to see Britain as the central location for a Bond film: this was an atypical approach and should be applauded, as it has hitherto seemed that Bond simply couldn’t wait to get away from the UK the moment the opening credits finished. Furthermore, while the film is London-centric, it does not take place exclusively in London: we are also taken to the Highlands, albeit it its majesty is shown to be rather bleak.
All these positives, however, cannot fully mask the film’s problems. Firstly, the antagonism at the heart of the story is more than somewhat ludicrous: MI6 is threatened by a lone criminal (and his hired cronies) who is hell bent destroying the agency and M in particular. Javier Bardem, playing the villain, looks more than mildly preposterous with blonde hair; he is also shown to be a typical Bond grotesque, complete with a prosthetic device that reminded me of Moonraker’s “Jaws”. His motives are rather facile from a plot perspective: he was once a British agent, later handed over by M to the Chinese as part of a deal. He intends to avenge this betrayal.
Bardem is in control of events in a manner which seems unbearably unlikely: for example, accompanied by only two other gunmen, albeit all dressed in police uniforms, he somehow manages to defeat the entire security apparatus around the Houses of Parliament. He can hack into the most complex systems with ease; furthermore, somehow he has amassed a fortune which has enabled him to afford an army of mercenaries willing to fight and die for the sake of his personal vendetta. He even launches into a typical Bond villain monologue at one juncture, detailing how rats can be made to eat each other. I am certain Bardem enjoyed playing such an over the top character; it was the most “carpet chewing” performance I’d seen this side of Al Pacino’s Satan in “The Devil’s Advocate”. However, the film’s essential grip on some semblance of reality ended the moment he appeared.
Furthermore, though I was initially cheered by the sight of James Bond’s old Aston Martin DB5 (which he utilises as an escape vehicle) this was purely due to my liking of that particular car’s design. I realised later that Craig revving up its engine was a turning point: after this, it seemed as if the old format for Bond films reasserted itself with a flourish. The Aston Martin still retained its old ejector seat, a hangover from “Goldfinger”; Bond shows it off to M. A preposterous gun battle happens in an unlikely location. Bond coughs a bit rather than dies of smoke inhalation after a sizeable explosion. By the end of the film, “M” has returned to the wood panelled office of old, eschewing more modern digs; just outside it, Miss Moneypenny has made a return as M’s assistant, reprising her classic role as a metaphorical used handkerchief full of the sputum of sexist innuendo. As it was with Lois Maxwell and Sean Connery, it is unlikely the relationship will ever be fully consummated or explored. “Bond will be back”, the end credits promised. The old Bond, I sadly concluded, had indeed returned.


I was once a Catholic; I went to a Catholic school. I recall receiving my first Holy Communion on a bright Spring morning; all the children taking part were obliged to have a banner made by their families proclaiming their love and support. My Swedish grandmother, though she was Lutheran, made my banner. It read:
Perhaps thanks in part to Benedict’s reactionary temperament, the Vatican is still one of the few places in which the past not only lives, it’s nearly as tangible as the present. The unearthing of deceased Popes began the moment that Benedict XVI announced his retirement: it was pointed out he was the first Pope to resign since Gregory XII in 1415, which was done to heal a schism in the church. Some have qualified this statement by saying Benedict is the first Pope to quit voluntarily since Celestine V in 1294. There is an additional argument which could be made: there was a period in which there were several Popes all vying for recognition. One of them, Felix V, gave up his claim in 1449 and was later made a cardinal; this act brought the period of multiple popes to an end. One would think that with this track record that there would be little dispute that the Pope can quit: as is apparent, for a time they were abdicating left, right and centre. As with anything else associated with the Catholic Church, this is not the case. I have visited St. Peter’s Basilica, and inscribed on the inside of its main dome are Christ’s words to Peter: “Tu es Petrus”. This translates as “Thou art Peter”: as any Catholic schoolboy can tell you, Peter means “rock”. This is followed by Jesus’ addendum, “et super hanc petram aedificabo Ecclesiam meam et tibi dabo claves regni caelorum”, which means “And upon this rock I shall build My Church and I will give you the keys to the Kingdom of Heaven.” These words represent authority: the Popes are referred to as Peter’s direct heirs. The supposed “keys to Kingdom of Heaven” are part of the Papal seal. Some Catholics no doubt argue or at least feel that such an obligation cannot be simply cast aside. But the Pope is also supposedly infallible on matters of doctrine “concerning faith or morals”, or has been since the First Vatican Council (1869-1870). But in the end, the arguments are for nought: Benedict will leave at the end of the month. There will be a conclave of the College of Cardinals, a cloistered event which in the era of “Big Brother” should likely be televised and narrated by someone from Newcastle until they’re ready to proclaim “Habemus Papam”. That’s that.
Not every member of my family supports the President. Some are aghast at the idea of ever watching MSNBC. My mother believes that previous attempts I’ve made to obtain employment in the United States were de-railed by the economic policies of the man she calls “The Bamster”. My father opposes what he refers to as the President’s “European Social Democratic” ideas. However, his denunciations are relatively mild, and sometimes his criticisms are valid: for example, he doesn’t understand why the President set aside the recommendations of the Simpson Bowles Commission to reduce the deficit. In contrast, most of the invective I’ve heard is generally much more extreme and nonsensical.
The Thirties and early Forties were also a period in which many people thought that the Soviet Union had somehow avoided the ravages of the Great Depression without resorting to Fascism and its brutal necessities of militarism and racism. The Soviets’ reputation was further enhanced by the bravery and sacrifices made by the Russian people during World War II; Churchill once noted in a meeting with Stalin that the British public had become “pinker”. Stalin replied that this was a “sign of good health”. The United States was not immune: Stalin was made Time Magazine’s man of the year for 1942, despite the fact that he was a brutal tyrant who terrorised and murdered his people in numbers that far exceeded those which resulted from Hitler’s atrocities. The point is, Marshall Davis was swimming along in a broader current. By being on the conspicuous Left in the Thirties and Forties, in particular by working with trade unions, he opened himself up to the allegation of being a “Communist” henceforth and forevermore. Never mind that a change of heart seems to be a feature of many figures on the right, such as Ronald Reagan, who was once a New Deal Democrat, and David Horowitz, who described himself as a “Red Diaper Baby”: if you once associated with Communists and you didn’t fully exit the Left, in the D’Souzan world view, you’re still a Communist regardless of any sign that you have mellowed. And furthermore, your Communism also touches the lives of everyone around you, and influences young people to become Marxists as well.
I couldn’t help but think of this film when I heard about France’s intervention in Mali. France is the only European power that presently maintains bases in Africa: they simply did not get the message, as eloquently expressed in Harold MacMillan’s “Wind of Change” speech in 1960, that the presence of European powers in Africa was no longer wanted nor desirable. Not only does the French military remain, France also provides its former colonies with a currency, the CFA Franc, and regularly involves itself in African politics. Sometimes this is positive: in 1979, the French deposed Jean-Bédel Bokassa, the dictator who ruled the Central African Republic. He was so wildly over the top in his pretensions that in 1976 he turned his Republic into a grotesque Empire and had himself crowned Emperor. Among the crimes against humanity that he is supposed to have committed, he turned cannibal. This form of self-indulgence was perversely apropos given how he had otherwise swallowed the country’s wherewithal; a minister who objected to Bokassa’s extravagance and tried to instigate a rebellion, Alexandre Banza, was apparently slashed by the dictator with a razor in front of the other members of the cabinet. Bokassa’s guards then beat Banza until his back was broken and shot him on the streets of the capital, Bangui. Le Monde said this murder was “so revolting that it still makes one’s flesh creep”. Such behaviour ensured no one objected when Bokassa was deposed.
There are good reasons to believe that this intervention will fail. The French defence minister, Jean-Yves Le Drian, has said that “Operation Serval” will continue as long as necessary: apparently President Hollande is determined to “eradicate the terrorists”. As America’s decade in Afghanistan has illustrated, such “eradication” is difficult to achieve. One can think that progress is being made only to find that the insurgents are suddenly re-vivified. Mali resembles Afghanistan in another respect: its government lacks popular support. The Malian state is rightly perceived as being run by criminals; it’s only there due to a coup d’etat. A quick look at the
At the end, there will be a beginning. New Year’s Eve heralds the premiere of a new production of Donizetti’s largely forgotten work, “Maria Stuarda” at New York’s Metropolitan Opera. The lead role of Mary, Queen of Scots will be performed by the well known mezzo-soprano, Joyce DiDonato. I can imagine what it will be like: the vast auditorium in Lincoln Centre will darken, the crystal chandeliers will rise as their light diminishes. The transfixed audience will be a varied bunch: their attire will range from jeans to black tie. Perhaps on a night as auspicious as New Years Eve and a premiere, those in formal dress will be in greater numbers than usual.
The train eventually slid into a tunnel; after a few minutes, we arrived at Penn Station. A subway ride eventually led us to Lincoln Centre; upon seeing its white modern buildings, I smiled again. I recalled an occasion in 1988 when my father was away on a business trip and left behind a ticket for a performance of “La Bohème” which starred Luciano Pavarotti and Mirella Freni; I went with my mother. I remember how Pavarotti’s voice reverberated throughout the auditorium as he sang “Che gelida manina” and how tenderly Freni responded with “Sì, Mi chiamano Mimì”.
The holiday season, as the cliché goes, is a time of family, and this often entails seeing relatives that one doesn’t encounter regularly. Several days ago, my father invited his brothers and sisters to the family home for a meal; it was an altogether Italian affair, with rice balls, eggplant rollatini and strong red wine on the table.
Go into a suburban neighbourhood: yes, some houses are pristine and elegant, others seem less well kept, more patched together, the lawns less tidy. Night in Florida as a result is more visually attractive than the day: darkness softens the rough edges, moonlight reflects off the ponds, lakes and the ocean, giving the tableaus a gentle glow. As one drives around, the artificial lights make the discount stores in scattered shopping plazas look more grand than they are. Young people congregate outside a Chinese “all you can eat” restaurant; the dim light helps to hide the fact that their attire is direct from Wal Mart. Drive along further, and in a ditch near a hotel, two young men wearing backwards facing baseball caps walk gingerly, heading towards the highway. Night, and the egregious use of electricity make this scene seem more tranquil than it probably is: after hitting a peak of 11.3% in March 2010, Florida’s unemployment rate is now hovering at 8.1%. This rate still puts it above the national average;
As Christmas draws closer, I find everything I do bears an increasing sense of urgency. Upon completing a task, I wonder “Is this it?”: is this the last thing I have to do before I can finish for the year? I frequently harbour visions of sitting on a comfortable sofa with a brightly lit tree and a warm, glowing fireplace in the background. I can imagine picking up a cup of hot apple cider, taking a sip and getting a sharp kick of fruit and cinnamon, and then realising that there is nothing left to be done, at least until we’ve stepped into January. Until that moment, however, there are lists, tasks and errands. Bags are there to be packed, presents are there to be wrapped, the car is there to be fuelled up and driven far on visits to friends and family. The list eventually peaks, and then winds down, leading to that quiet moment when stress finally dissolves, but it wouldn’t be Christmas if there wasn’t a last minute tidal surge of things to do.
I took my seat in the barber’s chair as he began to pray. As I looked up, I noted, as I had many times before, a gilded picture of the Holy Kaaba which he had carefully stuck to the wall. Mr. Khan’s previous client counted his money. Again, absolute silence prevailed. As Mr. Khan finished, two more gentlemen came in: one was elderly and wore a Pakul, a hat most commonly associated with Afghanistan. I don’t understand what he said, but I believe I heard the word “mosque”. Perhaps he wondered why they were praying in a barber’s shop given that there was a large one less than a block away. He cast a glance at me: his gaze was not hostile, but rather curious. After a moment, he went out again. Mr. Khan rolled up his rug, put it away. He then turned his attention to cleaning me up. Two more clients came in and took their seats. They and Mr. Khan conversed mainly in Urdu for a time. The words “Matte” and “High Gloss” were spoken. I can only assume that they were either talking about photography or paint.
The news of the Royal Pregnancy was probably greeted with celebrations down at Number 10 Downing Street. It’s easy to imagine the unholy trinity of Cameron, Osborne and Gove popping open a bottle of vintage champagne in the Cabinet room, filling their glasses and raising a toast to the pending arrival. I imagine such a celebration wouldn’t be solely animated by royalist ardour, rather, I suspect that it would also be an example of the kind of elation experienced by drowning men who had just been saved. No more lurid tales of economic failure and of
No wonder the champagne likely flows down at 10 Downing Street; their thoughts need not focus so much on places like the Bradford Royal Infirmary, where queues for non-emergency treatment can lead to four to five hour waiting times. The doctors there are under pressure, the nurses as polite as endless tension allows. Patients sit in quiet agony in the waiting room, awaiting healing hands to be free to alleviate their suffering. The funds to ameliorate this situation are not there, allocated not just to Royal priorities through the Civil List but also towards providing sustenance to banks whose commitment to civic responsibility is as absent as their common sense. A Royal infant averts the gaze of the second country from itself: it doesn’t look at the back streets of Manchester in which young unemployed men sit on doorsteps and smoke cigarettes and mothers hang their washing on clotheslines in the uncertain December weather. The first country is all show; the second country looks up, sees it, smiles and infrequently considers the contrast.
Self regulation of the press in the United Kingdom has failed. The Press Complaints Commission, far from being a fair minded and independent body which protects the individual from trespass by the media, has proven itself to be rather like a bunch of foxes deciding not to eat chicken for lunch after having decimated the henhouse. It is not necessary to once again raise the case of Milly Dowler, to speak of phone hacking or to discuss bribes to the police: the press is more than proven to be crooked, it is seen as being crooked. It is not going to be possible to restore any semblance of ethical behaviour in this industry without the force of law and the heavy hand of its sanction behind it.
It is all too easy to imagine the following scenario: the Prime Minister will address the Commons, perhaps on the day of publication, perhaps delaying the day of reckoning to several weeks after its release, perhaps as long as after the holidays. He will be effusive in his praise of Lord Leveson and thank him for his work. He will then say that any changes to the law would be difficult and that he would rather err “on the side of liberty” rather than create a system which could be open to abuse later. Next, he will say that he has personally spoken to the editors of the leading newspapers and received solemn undertakings from each of them that they will adhere to a new, tougher code of ethics. This code of ethics will be enforced by a voluntary contract which all the editors have promised to sign; the contract will be in line with proposals from Lord Hunt, the last chairman of the Press Complaints Commission. Cameron will present this as a historic compromise, one which will secure the blessings of a cliché which he will no doubt deploy as a rhetorical flourish. After a time, things will return to precisely as they were before.
The call came in the middle of the night. For each member of the President’s entourage, the message was the same, delivered with military precision: “Get up, get dressed, the President is leaving in one hour.” Hotel rooms throughout Phnom Penh subsequently echoed with a chorus of crisp cotton sheets being whipped back, the sound of hasty showers being taken and suitcases zipped up.
They were in the Oval Office, seated in the two wing chairs standing on either side of the fireplace; the reporters had left after the two leaders had expressed the usual platitudes about the special relationship between America and Israel. The President, finally, could be blunt. The chairs were parallel, they didn’t face each other directly. In reply to Obama’s warning, Bibi turned his head and looked directly at the President; the gaze was hard though not unintelligent. “No,” Netanyahu replied. This was not a refusal which could be reasoned with; Bibi’s world was painted in shades of black and white, Obama mused, you were either with him or against him. At that moment, he’d decided that Obama was against him.
I'm a Doctor of Creative Writing, a boyfriend, a son, a brother, an uncle, a published novelist, a technologist, and still an amateur in much else.


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